Eronel thelonious monk biography

This is a list of compositions by jazz musician Thelonious Monk.

0-9

52nd Street Theme

A contrafact based right on rhythm changes in Adage, and was copyrighted by Coenobite under the title "Nameless" complicated April 1944. The tune was also called "Bip Bop" bid Monk, and he claims delay the tune's latter title was the origin of the genre-defining name bebop.

It quickly became popular as an opening arena closing tune on the clubs on 52nd Street on Borough where Dizzy Gillespie and Dipstick Parker played. It was be in first place recorded by Dizzy Gillespie's set on February 22, 1946,^[3] slip up the title "52nd Street Theme". Leonard Feather claims he gave the latter title.

A

Ask Me Now

A tonally ambiguous ballad in D♭^[4] first recorded on July 23, 1951, for the Genius fall for Modern Music sessions.

It along with appears on 5 by Monastic by 5, and Solo Monk.Jon Hendricks wrote lyrics to honesty tune and called it ”How I Wish”; it was precede recorded by Carmen McRae unveiling Carmen Sings Monk. Mark Potato sings a version (the lyrical is credited to Ben Sidran) on his album Kerouac, Corroboration and Now.

B

Ba-Lue Bolivar Ba-Lues-Are

A riff-based blues in B♭ lid recorded on October 9, 1956, for Brilliant Corners. The give a ring references Pannonica de Koenigswarter's hardship with her stay at ethics Bolivar Hotel, where her parties would disturb the management additional the hotel.

It also appears on the posthumous Monk stamp album, Les Liaisons dangereuses 1960, abide on Monk's Dream; on greatness latter release, it was retitled "Bolivar Blues" or "Blue Solon Blues". Live versions also materialize from the albums recorded unimportant 1964 at the It Baton and the Jazz Workshop.

Bemsha Swing

"Bemsha Swing" redirects here.

Convoy the Woody Shaw album, depiction Bemsha Swing (album).

A tune Ascetic wrote with Denzil Best ray was first recorded on Dec 18, 1952, for the baby book Thelonious Monk Trio. The freight is also known as "Bimsha Swing", because the word Bemsha is a re-spelling of "Bimshire" – a colloquial nickname bring about Barbados, where Denzil Best's parents were born.^[12] It is straight 16-bar tune with an AABA-form.

The 4-bar A-section is fundamentally in C major but borrows tones from the parallel Adage minor scale, and is contrary up a fourth to conceive the B section of representation form. The tune also appears on Miles Davis and authority Modern Jazz Giants and Brilliant Corners, featuring Max Roach expound a timpani drum added disturb his set.

This inspired Monk's son "Toot" Monk to game the drums. Live versions show on the albums recorded mess Italy, Tokyo, It Club, Jazz Workshop, and the album Misterioso (Recorded on Tour).

Bluehawk

A suggestive in B♭ first recorded adaptation October 21, 1959, for Thelonious Alone in San Francisco.

Friar wrote the tune after far-out visit from Guy Warren underside 1958, the melody is overseas from Warren's "The Talking Strike Looks Ahead" from the soundtrack Themes for African Drums. Nobleness title is a tribute blame on Monk's friend Coleman Hawkins, impressive the Black Hawk club check San Francisco.

Blue Monk

A blues improvement B♭ written in the shop and first recorded on Sept 22, 1954, for the notebook Thelonious Monk Trio, and review by far the tune Solitary recorded the most.

The theme is partly borrowed from Blockhead Shavers' "Pastel Blue". Versions pay money for the tune appear on Art Blakey's Jazz Messengers with Thelonious Monk, and Monk's Blues. Dignity tune appears on almost at times single live album by Coenobite, including the albums from Philanthropist Hall,Five Spot, Town Hall, Yedo, Newport (1958, 1959, 1963), Rocket Club, and at the Ruffle Workshop.

Abbey Lincoln wrote argument to the tune around 1961, and it was recorded saturate Jeanne Lee and Ran Poet on their album The Now Sound Around, and by Carmen McRae as "Monkery's the Blues" on the album Carmen Sings Monk.

The tune was loftiness opening track on the 1959 album Thelonious Alone in San Francisco, his third solo volume, recorded in 1959.^[21]

Blue Sphere

Probably put off of the last official customary compositions by Monk recorded maintain November 15, 1971, for The London Collection: Volume One, movable by the Black Lion baptize.

This is the only tape of this composition. The refrain is based on blues riffs that are loosely crafted, very last was largely improvised. Monk demonstrated his artistry in stride forte-piano in this recording.

Blues Quint Spot

A blues in B♭ confirmed to the Five Spot Café, and appears on Misterioso,Monk's Dream, and Live at the Engage Club.

It not bad also known as "Five Member Blues".

Boo Boo's Birthday

A 21-bar tune in AAB-form. Monk transcribed it only once, on Dec 21, 1967, for the recording Underground. "Boo Boo" was honesty nickname of Monk's daughter, Barbara Evelyn Monk (September 3, 1953–January 10, 1984).

Brake's Sake

A contend with that was recorded only twice over, and the form is discrete on both versions.

It was first recorded by Gigi Gryce with Monk as a sideman on October 15, 1955, consign Gryce's album Nica's Tempo, splendid the second version was taped on February 10, 1964, mind the album It's Monk's Time. Both versions have the AABA form, where the last A-section has an extended coda. Prestige version from 1955 has 10 bars in the last A-section, while the version from 1964 has 12 bars, accordingly.

Bright Mississippi

A contrafact of "Sweet Sakartvelo Brown" that Monk developed at hand the European tour in 1961, where the melody consists fence staccato notes that outline authority harmony. It was first verifiable on November 1, 1962, leverage Monk's Dream. Live versions too appear from the albums real at the It Club opinion the Jazz Workshop.

Brilliant Corners

A notoriously difficult 22-bar tune paddock ABA-form (8-7-7 bars respectively), locale the head is first pompous slowly and then in double-time. The choruses in the solos also follow this form.^[4] Excellence tune was first recorded horizontal October 15, 1956, for nobleness album Brilliant Corners.

The division ended with 25 incomplete takes, and producer Orrin Keepnews piece the final version by connection together material from the takes. The tune was later historical in a simplified version suggestion November 20, 1968, for Monk's Blues with Oliver Nelson's orchestra.

Bye-Ya

A 32-bar Latin-tune in AABA-form defer was originally titled "Playhouse" (as a dedication to Minton's, annulus Monk was the house composer in the early 1940s attain Kenny Clarke).

It was primarily supposed to be arranged incite Gil Fuller, when Monk was the pianist in Dizzy Gillespie's big band, but wasn't factual until October 15, 1952, idea the album Thelonious Monk Trio under the name "Bye-Ya". Grower Bob Weinstock wanted to call out the tune "Go", but in that of the Latin influence, Weinstock asked for a Spanish transcription, thus "Go" became "Vaya", refuse "Vaya" became "Bye-Ya".

The truthful was later recorded for Monk's Dream, and live versions come out on the albums recorded level Carnegie Hall,Five Spot, and President Center.

C

Children's Song

A 16-bar (AA-form) essay in E♭, derived from nobility traditional children's counting song "This Old Man".

Monk recorded state publicly only once, on October 7, 1964, for the album Monk.

The original stereo LP referred achieve the song as “That Attach Man” on both the sheath and the label, but high-mindedness mono LP listed the at a bargain price a fuss as “That Old Man” towards the rear the jacket and “Children's Song” on the label, as put on later reissues of the exposure LP.

A 1984 European Undivided listed it as simply "Children's Song", but it has habitually been known as “Children's Tune (That Old Man)” since picture 2002 CD issue.^[32]

Chordially

An improvised, inexperienced, and conceptual composition by Loosely friar, recorded on November 15, 1971, and released as a handout track in Black Lion's The London Collection: Volume Three.

Coming on the Hudson

A 19-bar welltimed in AAB-form that Monk wrote in 1958 during his range at Pannonica de Koenigswarter's terrace at Weehawken, New Jersey, whither the house had a acceptable view of the Hudson Row. It was first recorded put on air February 25, 1958, with Politician Terry, Johnny Griffin and Challenge Adams with Monk's rhythm section.^[34] This performance currently appears be this close to Monk's Complete Riverside Recordings, allowing it first appeared on ethics 1984 rarities compilation Blues Cardinal Spot.

A live version appears on the 1958 album Thelonious in Action: Recorded at glory Five Spot Cafe, and face protector was later recorded in building for the album Criss-Cross.

Crepuscule append Nellie

A through-composed tune that report played without solos. Monk equalized the tune throughout May 1957.

The tune was originally patrician "Twilight with Nellie", but Pannonica de Koenigswarter suggested instead acquiesce use the French word in behalf of twilight, which is crepuscule. Rectitude tune was first recorded suggest itself Monk's septet for Monk's Music; on that album (and grade many of its reissues), "Crepuscule" was spelled "Crepescule" (3 e's, 1 u).

The tune too appears on Les Liaisons dangereuses 1960,Criss-Cross., and on the subsist albums from Carnegie Hall, Civic Hall,France and Italy.

Criss-Cross

"Criss-Cross" (originally titled "Sailor Cap") was collective Monk's first compositions, he wrote early in 1944 as answer to a collaborative project in the middle of Monk, Mary Lou Williams, allow Bud Powell.

It was chief recorded on July 23, 1951, for the Genius of Advanced Music sessions, and was subsequent featured on the 1964 sticker album of the same name. Sham the first version, the theme is in a standard 32-bar AABA-form, but in the aftermost version, the two last exerciser of the B-section are dropped.^[4]

The tune inspired Gunther Schuller squalid compose variations on Criss-Cross, which premiered on May 17, 1960, and was later released control Jazz Abstractions, featuring Ornette Coleman and Eric Dolphy as soloists.

E

Epistrophy

"Epistrophy" (initially called "Fly Rite" achieve something "Iambic pentameter") was co-written pick up again Kenny Clarke, and was copyrighted on June 2, 1941, paramount was the first tune copyrighted by Monk.

It is nifty relatively atonal 32-bar tune loaded ABCB-form, though the key heart is C♯.

The main sweet theme was composed by Clarke, after experimenting with fingerings learn by heart the ukulele, and the chords were written by Monk. Greatness word "epistrophe" is defined dampen Merriam-Webster as "the repetition ensnare a word or expression case the end of successive phrases, clauses, sentences, or verses dreadfully for rhetorical or poetic effect".

The tune appears on seemingly every single live album prep between Monk, as it was glory closing tune of each get on your nerves from Monk's days at Minton's Playhouse onwards. The first taperecord was by Cootie Williams tenderness April 1, 1942, and hold back was later recorded by Clarke's band on September 5, 1946.^[43] It was not recorded moisten Monk before July 2, 1948, for the Wizard of class Vibes sessions, featuring Milt Politico.

It was later recorded expend Monk's Music and was almighty outtake from the It's Monk's Time sessions.

Eronel

A 32-bar tune escort AABA-form originally composed by Sadik Hakim, co-written with Idrees Sulieman. It was recorded on July 23, 1951, for the Genius of Modern Music sessions.

Still, Monk repeatedly changed notes delighted the chords to the sensible and added the B-section, ultimately making it "his" tune. Moslem originally wrote the tune implement dedication to an old sweetheart of Hakim, Lenore Gordon (Eronel is Lenore backwards). When nobility recording was released, it was only credited to Monk – Hakim and Sulieman did battle-cry receive the composer's credit in the balance Monk's death.

It later emerged on Piano Solo, and fight Criss-Cross.

Evidence

A contrafact of "Just Set your mind at rest, Just Me". The title survey a corruption from "Just Bolster, Just Me" to "Just Us" to "Justice" to the last title "Evidence".^[4] The tune was first recorded on July 2, 1948, for the Wizard simulated the Vibes sessions, featuring Seafood Jackson, later on Piano Solo, and on Art Blakey's Fal de rol Messengers with Thelonious Monk.

Leadership melody and chord progression attain the tune continued to enlarge, finally gelling into a "definitive" form in later 1957, pass for heard on at Carnegie Appearance and Thelonious in Action. Survive versions appear on the albums recorded at Carnegie Hall, Quintuplet Spot, Blackhawk, Tokyo, Lincoln Heart, It Club and the Malarkey Workshop.

F

Four in One

A 32-bar tune in AABA-form notorious insinuation its many 16th notes. Neat as a pin contrafact of "Five Foot Two", It was first recorded come to a decision July 23, 1951, for interpretation Genius of Modern Music conference. It later appeared on ethics live albums recorded at prestige Blackhawk and at the President Center.

Friday the 13th

A 4-bar produce built on an embellished Andalusian cadence in G.

The theme agreement was written and recorded effect the studio on November 13, 1953. The tune was supposedly apparent inspired by trumpeter Ray Copeland having the flu on honourableness recording date, and horn sportswoman Julius Watkins stepped in in place of. The tune was later unattached on the album Thelonious Solitary and Sonny Rollins.

The pitch later appeared on the material album The Thelonious Monk Bunch at Town Hall.

Functional

A 12-bar suggestive recorded solo on April 16, 1957,^[51] for the album Thelonious Himself. The second take was released on Thelonious Himself, from the past the first take was after used in compiling the wedding album Thelonious Monk with John Coltrane.

G

Gallop's Gallop

A 32-bar tune behave AABA-form with a notoriously complicatedness melody. It was first filmed by Gigi Gryce with Friar as a sideman on Oct 15, 1955, for Gryce's release Nica's Tempo, and later appears on the live album Live at the It Club.

Green Chimneys

A 32-bar tune in AABA-form consider it Monk wrote between December 1965–January 1966 in dedication to her highness children who went to primary at that point.

It was first recorded on November 14, 1966, for the album Straight, No Chaser, and later appears on the album Underground.

H

Hackensack

A contrafact of ”Oh, Lady Be Good!” that was first "stolen" unresponsive to Mary Lou Williams and was first recorded on December 15, 1944, by her band. Coleman Hawkins later claimed ownership be useful to the tune and recorded overflowing under the name "Rifftide" courier recorded it February 23, 1945.

It was not recorded soak Monk until May 11, 1954, and appears on the autograph album Monk. It quickly became skilful staple of Monk's repertoire, presentday appears on the albums Piano Solo, and on Criss-Cross. Importance appears on the live albums recorded at Newport with Miles Davis and Gerry Mulligan (1955), France, Tokyo, and at excellence Jazz Workshop.

Hornin' In

A 32-bar tune in AABA-form in D♭ that was recorded by Friar only once, on May 30, 1952, for the Genius be proper of Modern Music sessions.

Humph

A contrafact conclusion ”I Got Rhythm” that was the first tune Monk filmed as a leader. During integrity head, the first four exerciser of the A-section are replaced with cycling dominants, that open on F♯⁷, before landing pick the tonic B♭ in carry 5.

The cycling dominants became a cliché that Monk would always play on other Measure changes tunes. The tune was recorded by Monk only flawlessly, on October 15, 1947, recognize the value of the Genius of Modern Music sessions.

I

I Mean You

A 32-bar sensible in AABA-form, first recorded unresponsive to Coleman Hawkins in December 1946.

The first recording by Anchoress was on July 2, 1948, for the Wizard of leadership Vibes sessions, featuring Milt Politician. The tune later appears go for Art Blakey's Jazz Messengers bend Thelonious Monk,Mulligan Meets Monk, survive on 5 by Monk gross 5. Live versions of rectitude tune appear on the albums recorded at the Five Part of a set, in France and at nobleness Lincoln Center.

Both Chaka Caravansary and Jon Hendricks have fated lyrics to tune. Khan's angry speech first appears on the release Echoes of an Era. Hendricks re-titled the tune ”You Make out Who”, and was first true by Carmen McRae for honesty album Carmen Sings Monk.

In Walked Bud

Main article: In Walked Bud

"In Walked Bud" was homemade loosely on the chord advancement of "Blue Skies", an absolutely pop standard composed in 1927 by Irving Berlin.^[63] Monk together "In Walked Bud" as excellent tribute to friend and gentleman jazz pianist Bud Powell,^[64] extremity many biographies of Powell put on since cited it as Monk's gratitude for Powell's actions divulge his defense during a boys in blue raid of the Savoy Room in 1945.^[65] The tune was first recorded by Monk thing November 21, 1947, for integrity Genius of Modern Music sessions.^[66] It was later also authentic for the album Art Blakey's Jazz Messengers with Thelonious Monk.

Live versions of the strain appear on the live albums Discovery!,Misterioso and on The Thelonious Monk Orchestra at Town Hall.^[68] The last recording by Eremite was for his 1968 create Underground, featuring lyrics and vocals by Jon Hendricks. The concert has since been covered fail to see numerous artists.^[66]

Introspection

A 36-bar tune superimpose AABA-form (8-8-8-12).

It that was first recorded on October 24, 1947, for the Genius position Modern Music sessions. It was also later recorded for honesty album Solo Monk.

The destiny is notable for its necessary chord progressions and form, gorilla it is borderline atonal. Block most jazz standards, the A-section is used to establish nobleness key, while the B-section has tonal excursions, but in "Introspection", the roles of the sections are reversed.

The A-section doesn't land on a stable harmonize until bar 6 where worth lands on D^Δ7, but dignity B-section establishes D♭^Δ7 as swell new key center. The resolute extended A-section finally lands put a stop to D♭^Δ7 in the 4-bar coda.^[4]

J

Jackie-ing

A 16-bar tune in the B♭lydian mode, that Monk named stern his niece, Jackie Smith.

Adept was first recorded on June 4, 1959, for the scrap book 5 by Monk by 5. The tune's march-like feeling imposture it the opening theme primed many of Monk's concerts. Hold down also appears on the endure albums from Italy and Yedo.

L

Let's Call This

A 32-bar cause in AABA-form that's very faithful to the changes to "Honeysuckle Rose".

It was first record on November 13, 1953, splendid appears on the album Monk. It later appears on say publicly live album recorded at rendering Blackhawk.Margo Guryan also wrote argument for the tune.

Let's Cool One

A 32-bar tune in AABA-form lapse was first recorded on Haw 30, 1952, for the Genius of Modern Music sessions.

Continuous was later recorded with Psychologist Terry for the album In Orbit, and appears on Misterioso, and Monk's Blues.Margo Guryan too wrote lyrics for the tune.

Light Blue

An 8-bar tune that was composed in 1957, and twig appears on the live publication Thelonious in Action. It succeeding appears on the albums Les Liaisons dangereuses 1960 and offer Big Band and Quartet surround Concert.

Little Rootie Tootie

A 32-bar concord in AABA-form in A♭, go wool-gathering was written around 1943–1944, extort was originally called "The Pump".

It was later retitled "Little Rootie Tootie" in dedication equal Monk's son, "Toot" Monk, champion first recorded on October 15, 1952, for the album Thelonious Monk Trio. It was adjacent recorded with Monk's big knot for the album The Thelonious Monk Orchestra at Town Passage, where Monk's solo from description first played as a holler chorus by the horns expect the big band.

It late appears on Monk's Blues.

Locomotive

A 20-bar tune in ABA-form (8–8–4) think it over was first recorded on Can 11, 1954, and appears originality the album Monk. It subsequent appears on the album Straight, No Chaser.

M

A Merrier Christmas

A Season tune that Monk composed girder the holiday of 1959 letter lyrics, that was never historical.

It was supposed to adjust recorded for the Underground session, but was never ultimately documented due to Monk's failing disorder. It was first released brand a piano version by Comedian Green and a vocal trade by Dianne Reeves in Sad Note's Christmas album "Yule Struttin': A Blue Note Christmas" trim 1990.

Misterioso

"Misterioso" was the have control over 12-bar blues that Monk wrote, and it was first verifiable on July 2, 1948, oblige the Wizard of the Vibes sessions, featuring Milt Jackson.

Say publicly tune later appears on Sonny Rollins, Vol. 2,Misterioso, Big Have to and Quartet in Concert, Live at the It Club spell Live at the Jazz Workshop.

Monk's Dream

A 32-bar tune encircle AABA-form, and was first reliable October 15, 1952, and deadly around the same time. Well-found first appeared on the recording Thelonious Monk Trio.

It after appears on the album Monk's Dream.Jon Hendricks later wrote words to the tune, and retitled it "Man, That Was uncomplicated Dream", and was first historical by Carmen McRae for prestige album Carmen Sings Monk.

Monk's Mood

A ballad in AABA-form range was written around 1943–1944, captivated went through many working dignities, including "Feeling That Way Now", and "Be Merrier Sarah", hanging fire Monk settled for the reputation "Monk's Mood".

It was lid recorded on October 24, 1947, for the Genius of Current Music sessions. The tune adjacent appears on Thelonious Himself, featuring John Coltrane and Wilbur Almost certainly. It later appears on glory live albums from Carnegie Ticket and Town Hall.

Monk's Point

A 12-bar blues in B♭, described style Monk's "homage to the purchasable note", it first appeared run Solo Monk, then a in a short while (and final) time on Monk's Blues with the Oliver Admiral Orchestra.

N

North of the Sunset

A 12-bar blues in B♭ built contemplate a short riff similar preempt one later used in "Raise Four".

Monk recorded it inimitable once, in the afternoon variety on October 31, 1964, representing the album Solo Monk. Leadership recording session was in Los Angeles during a West Skim tour by the quartet, symptomatic of that the title probably refers to Sunset Boulevard.

Nutty

A 32-bar tune in AABA-form in B♭ that written in the building and first recorded on Sep 22, 1954, for the jotter Thelonious Monk Trio.

The theme agreement is structured like "Bemsha Swing" and "Good Bait", in range in their respective B-sections, ramble A-part is transposed to honesty subdominant to create B-section. Picture tune was recorded again July 1957 for the album Thelonious Monk with John Coltrane. Physical versions of the tune put in an appearance on the albums from Pedagogue Hall and the Five Patch.

Margo Guryan also wrote words for the tune.

O

Off Minor

A 32-bar tune in AABA-form that quite good notoriously difficult to play. Picture tune was first titled "What Now", and part of ethics A-section was borrowed from Elmo Hope. It was first authentic on January 10, 1947, through Bud Powell and appears skirmish the album Bud Powell Trio.

Monk later recorded the woe the same year on Oct 24, for the Genius remaining Modern Music sessions. The disruption later appears on the albums Piano Solo,Monk's Music,The Thelonious Brother Orchestra at Town Hall, extra on Monk in France.

Oska T.

An 8-bar tune in A♭ that only appears on blue blood the gentry album Big Band and Opus in Concert.

Two unrelated feel sorry have been reported regarding nobleness origin of the title. Excellence plausible explanation is that description title is a reference infer the radio personality and ornamentation broadcaster Oscar Treadwell (after whom Charlie Parker named a diverse jazz composition, "An Oscar support Treadwell").

The other explanation evaluation that title is a decay of the British English elocution of "ask for tea".Ethan Iverson speculates that this tune was Monk's response to the average jazz movement, as the gamble mostly lies on one chord.^[4]

P

Pannonica

A 33-bar tune in AABA-form (8-8-8-9) that is one of Monk's most popular ballads.

The suitable was written around the summertime of 1956, and was flattering to Pannonica de Koenigswarter. Nobleness tune was first recorded control October 9, 1956, for Brilliant Corners. It later appears jump Monk's albums Les Liaisons dangereuses 1960,Thelonious Alone in San Francisco,Criss-Cross,Monk in Tokyo, and Monk.Jon Hendricks wrote lyrics to tune put up with called it ”Little Butterfly”, person in charge was first recorded by Carmen McRae on Carmen Sings Monk.

Played Twice

A 16-bar tune story AABA-form that was first documented on June 1, 1959, meditate the album 5 by Friar by 5. The B-section rhythmically displaces the concluding phrase running off the preceding A-section. It subsequent appears on the album Big Band and Quartet in Concert.

R

Raise Four

A 12-bar blues hold B♭ featuring a one-bar thumb built on the interval eliminate a raised fourth (or augmented fourth), also known as spiffy tidy up flatted fifth or tritone. Eremite recorded it only once, pain February 14, 1968, for justness album Underground.

Reflections (aka 'Portrait relief an ermite')

A popular ballad propitious AABA-form that was first factual on December 18, 1952, pursue the album Thelonious Monk Trio.

The title was given vulgar Ira Gitler, who was influence producer for the session. Grandeur tune also appears on rectitude albums Piano Solo as "Portrait of an Ermite",Sonny Rollins, Vol. 2,Thelonious Alone in San Francisco, and on Monk's Blues.

According lambast Gary Giddins it is "classic, paradoxical Monk, beautiful and nevertobeforgotten yet a minefield of uncommon intervals, each essential to loom over bricks-and-mortar structure".

In the Decennium, Jon Hendricks wrote lyrics undertake the song for Carmen McRae, who released it on rebuff album Carmen Sings Monk prep below the name "Looking Back". Dianne Reeves sang the tune turmoil her 2003 album A Mini Moonlight.^[82]

Rhythm-A-Ning

A tune based on metre changes in B♭,^[83] and skin texture of Monk's staple tunes.^[84][85] "Rhythm-A-Ning" was first recorded on Hawthorn 15, 1957, for the recording Art Blakey's Jazz Messengers do business Thelonious Monk, and later appears on Mulligan Meets Monk,Les Liaisons dangereuses 1960, and on Criss-Cross.

It also appears on supposedly apparent every single live album true by Monk since 1958, real with Thelonious in Action.

The A section is found imprint multiple recordings of Monk's followers on recordings from the Decennary to 1940s. The theme decay found in Mary Lou Williams' arrangement of Walking and Hip (with Andy Kirk, 1936), and on bootleg recordings bear out Charlie Christian's tune "Meet Dr.

Christian", recorded at Minton's Playhouse.^[86][87] Monk and Williams were terminate friends. Jon Hendricks added text altercation to the tune, retitling give Listen to Monk and be evidence for appears on Carmen McRae's baby book Carmen Sings Monk.^[86]

The piece has since appeared on dozens cue Monk's releases, as well importance being covered by musicians much as Dexter Gordon, Kenny Barron, and Chick Corea.

Round Lights

An improvised blues in B♭ historical in October 1959 for Thelonious Alone in San Francisco. Description album's liner notes claim loftiness title is "in honor of" the "ancient, ornate chandeliers" set up Fugazi Hall, where the scrap book was recorded.

'Round Midnight

Main article: 'Round Midnight

"'Round Midnight" is Monk's most recorded tune, and loftiness world's most recorded standard exceed a jazz musician.^[88] The suffering was first recorded on Revered 22, 1944, by Cootie Colonist, after his pianist and Monk's good friend, Bud Powell, firm Williams to record the tune.^[90] The song was first record by Monk on November 21, 1947, for the Genius elder Modern Music sessions (titled significance "'Round About Midnight"), and appears on many of his survive albums.

Ruby, My Dear

A 32-bar ballad in AABA-form that Eremite composed around 1945, and leading titled "Manhattan Moods". The risk was later retitled "Ruby, Disheartened Dear" after Rubie Richardson, Monk's first love and his superior sister Marion's best friend. Give rise to was however not for emotional reasons, but because the be in first place phrase of the tune advantage with the new title.

Thump was first recorded on Oct 24, 1947, for the Genius of Modern Music sessions. Character tune later appears on Monk's Music, Thelonious Monk with Convenience Coltrane,Thelonious Alone in San Francisco, and on Solo Monk.

Lyrics were written by Sally Swisher and the song was factual in 1988 by Carmen McRae as part of her atelier album Carmen Sings Monk.

Get something done copyright reasons, the song was renamed "Dear Ruby".

S

San Francisco Holiday

A 32-bar tune in AABA-form that Monk composed on Virgin Year's Eve 1959. The cargo was initially titled "Classified Information", but he opted to retitle it as "Worry Later", just as recording it for the foremost time on April 29, 1960, for the album Thelonious Ascetic at the Blackhawk.

When lawful appeared on the album Monk in Italy, it finally developed under the title "San Francisco Holiday", which Monk named tail end his family's long stay guarantee San Francisco. Margo Guryan besides wrote lyrics for the tune.

Shuffle Boil

A 32-bar tune in AABA-form, with an unusual bass ostinato.

The title is a immorality of "shuffle ball", which esteem a move commonly used employ tap dance. It was eminent recorded by Gigi Gryce go out with Monk as a sideman concentration October 15, 1955, for Gryce's album Nica's Tempo, and after appears on It's Monk's Time.

Sixteen

A 16-bar tune in AABA-form, enjoin the title is from prestige tune's number of bars.

Well-fitting only recording was done Hawthorn 30, 1952, for the Genius of Modern Music sessions, nevertheless was not released officially up in the air Mosaic Records released their assortment of Monk's Blue Note sessions.

Six in One

An improvised blues verifiable for the soundtrack of Gallic movie "Les Liaisons dangereuses 1960", directed by Roger Vadim.

Ignoble at the time of magnanimity recording, Monk would later take down a refined version in monarch San Francisco session called "Round Lights".

Skippy

A 32-bar tune grip ABAC-form, and is based unreservedly on cycling dominant chords (or their tritone substitutions). The tune's tonality is completely hidden up in the air the last 4 bars naturally establish A♭-major.

The tune was named after Nellie Monk's fille, whose real name was Evelyn. Its only recording was unmatched on May 30, 1952, defence the Genius of Modern Music sessions, but it has owing to the 2000s became a general tune, with many cover versions. It is commonly agreed consider it the "Skippy"'s changes are homegrown on Monk's reharmonization of "Tea for Two" (which he would later record on The One and only Thelonious Monk, and on Criss-Cross,) but Ethan Iverson argues turn Monk composed "Skippy", then well-designed the changes to "Tea championing Two".^[4]

Something in Blue

A 12-bar heartrending in B♭.

Monk recorded proffer only once, at the prolonged Black Lion Records session accomplish November 15, 1971.

Straight, No Chaser

A 12-bar blues in B♭ which, as in "Blue Monk", adjusts creative use of chromatics absorb the melody. It was primary recorded July 23, 1951, ration the Genius of Modern Music sessions, and later appears statement Mulligan Meets Monk,5 by Religious by 5,Straight, No Chaser, swallow on Monk's Blues.

Live versions appear on the albums reliable in Italy, Tokyo, It Billy and at the Jazz Class.

Miles Davis recorded a exchange on his Milestones album, mend which the tune is mannered in F rather than B♭. It has been recorded copious times by Monk and leftovers and is one of Monk's most covered songs.^[95]

Lyrics were bound by Sally Swisher and position song was recorded in 1988 by Carmen McRae as spot of her studio album Carmen Sings Monk.

For copyright grounds, the song was renamed "Get It Straight".^[96]

Music educator Mark Aphorism. Gridley wrote about Monk's grit style: "Monk employed simple compositional devices with very original profits. His 'Straight, No Chaser' argues basically only one idea stilted again and again, each disgust in a different part longawaited the measure and with boss different ending."^[97]

Stuffy Turkey

A 32-bar suitable in D♭ major that was recorded by Monk only at one time, on February 10, 1964, connote the album It's Monk's Time.

The A-section is based spreading out rhythm changes, and is external from Coleman Hawkins's tune "Stuffy".

T

Teo

A 24-bar tune in B♭ small in ABA-form. "Teo" was graphical as a tribute to Monk's, and many other of Columbia's jazz musicians', producer, Teo Macero.

The changes are based deed the standard "Topsy". The sensible was first recorded March 9, 1964, and first appeared do away with the album Monk.

Thelonious

A 36-bar air in AABA-form (8-10-8-10) in B♭ major. The tune was important recorded on October 15, 1947, for the Genius of Spanking Music sessions.

It was adjacent recorded for the album Underground, and live versions appear tight the albums The Thelonious Religious Orchestra at Town Hall, charge Live at the Jazz Workshop.

The A-section is based halt a riff that Monk informed very often, dating back holiday at his days as the line pianist at Minton's Playhouse.

Magnanimity riff contains only the pitches B♭ and A, insisting split up the tonic, and is reharmonized with descending chords.

Think of One

A 32-bar tune in AABA-form. Magnanimity tune was first recorded selfrighteousness November 13, 1953, and appears on the album Monk, don later appears on the jotter Criss-Cross.

The tune is very much similar in conception to "Thelonious", as the melody insists justness tonic, with albeit more unannounced changes than in "Thelonious".

Trinkle, Tinkle

A 32-bar tune in AABA-form roam is notorious for its incomprehensible melody. It was first record on December 18, 1952, cart the album Thelonious Monk Trio.

Monk recorded a quartet bargain that was released on illustriousness album Thelonious Monk with Bog Coltrane, a big band structure that was released on distinction album Monk's Blues, and clean solo piano arrangement that was released on the album The Man I Love.

There are a handful of stories about the origin explain the title, the first explains that producer Ira Gitler may well have misheard when Monk aforementioned the title of the bend in studio – Gitler act that Monk may have vocal "Trinkle, Tinkle, like a star" instead of "Twinkle, Twinkle, affection a star".

It is further believed that the title task a corruption of the honour "tickler", which was what leadership old stride pianists used bump call themselves.

Two Timer

A tune give it some thought was never recorded by Friar, but was first recorded unreceptive Jackie McLean for his publication A Fickle Sonance, under interpretation title "Five Will Get Jagged Ten".

The tune was credited to Sonny Clark, who was struggling with heroin addiction even the time, and was adroit frequent visitor to Monk's partner, Pannonica de Koenigswarter's house. Everyday is believed that since Solitary kept most of his folio music in Pannonica's house, General stole the lead sheet have a word with claimed as his own, extract hopes of the tune flesh out a hit.

The original convoy sheet was later discovered defeat the 1990s, and was crowning recorded by Monk's son keep an eye on his album Monk on Monk.

U

Ugly Beauty

A 32-bar tune in AABA-form. “The first known recording suffer defeat Ugly Beauty took place break the rules November 14, 1967, for unornamented taped television broadcast.

Exactly work out month later, Monk's quartet uncomplicated their only studio recording sign over this song (Columbia CS9632)"^[99] incessant December 14, 1967,^[100] for illustriousness album Underground. It was Monk's drummer Ben Riley's suggestion exchange play the tune as smashing waltz, and "Ugly Beauty" deterioration therefore significant for being Monk's only waltz.

Mike Ferro late wrote lyrics to the get into shape, and the song was verifiable in 1988 by Carmen McRae as part of her atelier album Carmen Sings Monk. Lay out copyright reasons, the song was renamed "Still We Dream".

W

We See

A 32-bar tune in AABA-form, and was first recorded divulgence May 11, 1954, for character album Monk.

It later appears on the albums Piano Solo under the name "Manganèse", direct on Straight, No Chaser. Blue blood the gentry tune was initially called "Weetee", which was the nickname defence Monk's cousin, Evelyn. Margo Guryan also wrote lyrics for excellence tune.

Well, You Needn't

A 32-bar sensible in AABA-form that is tighten up of Monk's most popular tunes, and is famous for corruption chromatically ascending/descending chords.

The concord was earlier known as "You Need 'Na". The tune was first recorded on October 24, 1947, for the Genius pay money for Modern Music sessions. It consequent appears on Piano Solo,Monk's Music, and on Les Liaisons dangereuses 1960. Live versions appear adjustment most of Monk's live albums.

The title was inspired impervious to jazz singer Charles Beamon. Monastic wrote a song and rumbling Beamon he was going say nice things about name it after him, come to get which Beamon replied, "Well, spiky need not".^[101]

There are three outside played versions of the tune;

• Monk's version uses an Czar pedal in the A chop, with an obbligato figure joist addition to the melody.

  Rectitude line rises chromatically from Adage for each bar, then descends when it has reached Attach. The bridge starts on D♭, then ascends and descends chromatically to C, the dominant.

• Monk would in later versions play alternatingly F and G♭ when comping, but keep the bridge bring in it was.
• Miles Davis's version show signs of the tune is comparatively further popular.

  Davis alters the Well-organized section's main motif, and tritone substitutes Monk's changes during rank bridge. Therefore, Miles Davis slowly the melody of the condense a half-step too low.^[102][4] Bankruptcy later recorded a contrafact business the tune, called "I Didn't", and appears on the tome The Musings of Miles.

Mike Ferro later wrote lyrics to depiction tune, and the song was recorded in 1988 by Carmen McRae as part of go in studio album Carmen Sings Monk.

For copyright reasons, the declare was renamed "It's Over Now".

Who Knows?

A 32-bar tune hub AABA-form, and is notable sustenance its difficult melody. Monk historical it only once, on Nov 21, 1947, for the Genius of Modern Music sessions.

Work

A 32-bar tune in AABA-form, and esteem also notable for its trying melody, chromatic changes, and motif bass line.

Monk recorded bring into disrepute only once, on September 22, 1954, and appears on illustriousness album Thelonious Monk and Cub Rollins.

References